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From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
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Only two things are infinite, the universe and human stupidity, and I'm not sure about the former.
Only two things are infinite, the universe and human stupidity, and I’m not sure about the former.
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