Because of technology, we don’t develop telepathy. We don’t use telepathy, but use, you know, the mobile phones. Why?
Because of technology, we don’t develop telepathy. We don’t use telepathy, but use, you know, the mobile phones. Why?
We always project into the future or reflect in the past, but we are so little in the present.
We always project into the future or reflect in the past, but we are so little in the present.
It’s very important that young artists push boundaries, because sometimes you have this urge to do something – like the impulsive and dangerous urges I had as a child – and if you don’t follow through with it you might miss out on a developmental experience.
It’s very important that young artists push boundaries, because sometimes you have this urge to do something – like the impulsive and dangerous urges I had as a child – and if you don’t follow through with it you might miss out on a developmental experience.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
We are used to cleaning the outside house, but the most important house to clean is yourself – your own house – which we never do.
We are used to cleaning the outside house, but the most important house to clean is yourself – your own house – which we never do.
From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
From the very early stage when I started doing performance art in the ’70s, the general attitude – not just me, but also my colleagues – was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
In theater, blood is ketchup; in performance, everything’s real.
In theater, blood is ketchup; in performance, everything’s real.
To really change the way society thinks, you have to give your entire being to it until there’s nothing left.
To really change the way society thinks, you have to give your entire being to it until there’s nothing left.
We are actually living in a million parallel realities every single minute.
We are actually living in a million parallel realities every single minute.
All my inspiration comes from life. That’s how it never stops, in a way.
All my inspiration comes from life. That’s how it never stops, in a way.