In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero’s role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment

In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero’s role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.

It’s very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places – to kind of look at things through the ‘noble innocents’ prism or through the ‘chronically dysfunctional’ prism, and I suspect that is so often the case.

It’s very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places – to kind of look at things through the ‘noble innocents’ prism or through the ‘chronically dysfunctional’ prism, and I suspect that is so often the case.

I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I’m two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to be sure the story is as tight as it can be.

I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I’m two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to…